Gabriel Diaz
Colorist. Online Editor.
Colorist. Online Editor.
Beyond color, I take projects from locked cut to final delivery, so one person handles the finish and the picture stays consistent from conform to export.
Rebuilding the locked cut from camera originals, with changes and versions tracked.
Final polish on the picture before and after the grade.
Placing titles, lower thirds, and supplied graphics so they sit right in the grade.
Masters and versions built to each delivery spec.
A full technical review of the picture against the delivery spec before anything goes out.
Films I’ve made outside the grading suite.
Color is the part of a story people feel before they notice it. I grade the way a good score works: it shouldn’t announce itself, but take it away and the scene stops landing.
My credits run from documentary series and comedy specials to a feature film and commercial work, for Netflix, Disney+, Apple TV+, History, BET+, and more. Every project needed a different look and a different pipeline. I work in DaVinci Resolve, use ACES when it serves the project, and tailor the color workflow to each delivery spec, so the image you approve holds up on every screen it ends up on.
I have 15+ years of professional experience in post production, and I’ve built my career in color and finishing. Outside the suite I live a parallel life, enthusiastically part of independent filmmaking, directing and shooting films of my own.
Available for remote and in-person grading sessions.